论文编号:LS181论文字数:15387,页数:17
论唐代妇女的服饰风貌与个性解放
摘要
服饰与人的关系是密不可分的，无论是古人还是现代人都被包裹在这个原始而又现代的外壳里。因而从某种意义上讲，服饰是记录人类文明的历史文化符号，是任何一个朝代最为形象、直观的“活化石”。唐代是我国社会经济文化高度发展的时期，同时也是中国封建时代少有的“开放性”社会。在社会开放风气的影响下，封建礼教的约束力相对减弱，广大妇女得以部分摆脱传统礼教的束缚，大胆追求服饰的自然美，在公开场合裙装袒露、穿胡服、着男装、浓妆艳抹，使一直沿着封建礼教轨道滑行的古代女性服饰呈现出中国历史上所独有的丰美华丽、雍容大度、百美竞呈的局面。开创了中国古代妇女服饰史上“前无古人，后无来者”的辉煌局面。 透过唐代妇女服饰开放新颖、绚丽多姿的服饰风貌，我们从中可以深深感到浓烈的民族精神和极度的开创性意识，这是中国封建社会妇女第一次摆脱封建礼教的束缚，展示自我形象的重要标志。这里没有矫揉造作之态，也没有扭捏矜持之姿，展现在人们面前的是充满朝气、自由的时代精神。唐代妇女服饰作为中华民族文化及其精神的载体，它具有深厚的文化内涵，反映出唐代文化的多元性、兼容性和独特性。
关键词：唐代 妇女 服饰 开放 个性解放
An Analysis of the Tang Dynasty women‘s dress style
and personality liberation
Abstract:Lifestyle and human relations are inseparable, whether it is ancient or modern have been wrapped in the original casing, and the modern. Therefore, in a sense, is the record of human civilization costumes historical and cultural symbols, the most of any image of a dynasty, intuitive "living fossil."China’s Tang Dynasty is a high degree of sociol-economic and cultural development of the period, but also rare in China‘s feudal era of "open" societies.In the community and opening up under the influence of the feudal ethics binding relatively weakened, to be part of the broad masses of women from the shackles of traditional ethics, bold pursuit of the natural beauty costumes on public occasions Qunzhuang bare, wearing Hubo, Men’s wear, Nongzhuangyanma, has been sliding along the track of the feudal ethics of ancient China women‘s apparel showing a unique history of the lush gorgeous, generous Prime competing with the situation.Created a women’s apparel history of Ancient China "unprecedented, and no to" the glorious situation.Women in the Tang Dynasty costumes and opening up through the novel, gorgeous costumes look, we can deeply feel that from the strong national spirit and the deep sense of pioneering, it is China’s feudal society the first time, women from the shackles of feudal ethics, an important self-image display signs.There is no artificiality of the state, nor did the Niunie reserved attitude, people demonstrated in front of a vibrant, free spirit of the times. Women in the Tang Dynasty costumes as the spirit of the Chinese culture and its carrier, it has a profound cultural connotation, reflecting the cultural diversity of the Tang Dynasty, compatibility and unique.
Key words: Tang Dynasty Women Dress Open Personality Liberation
目录
引言……………………………………………………………………………………………1
文献综述………………………………………………………………………………………2
研究方法………………………………………………………………………………………3
讨论与分析……………………………………………………………………………………3
一、唐代妇女开放大气的服装文化…………………………………………………………3
1.裙装袒露、展示人体美……………………………………………………………………3
2.胡服盛行、兼容并蓄………………………………………………………………………4
3.女着男装、开放大气………………………………………………………………………5
4.自由开放的首服变化………………………………………………………………………5
二、唐代妇女绚丽多姿的妆饰文化…………………………………………………………6
1.新颖别致的头饰文化………………………………………………………………………6
2.华贵艳丽的面妆文化………………………………………………………………………7
三、唐代妇女服饰的文化内涵和精神风貌…………………………………………………9
1.唐代妇女服饰的文化内涵…………………………………………………………………9
2.服饰风尚下唐代妇女的精神风貌 ………………………………………………………11
四、唐代妇女追求服饰风尚的背景和意义 ………………………………………………14
1.唐代妇女追求服饰风尚的社会背景 ……………………………………………………14
2.唐代妇女服饰产生的深远影响 …………………………………………………………15
结论 …………………………………………………………………………………………16
参考文献 ……………………………………………………………………………………17
论唐代妇女的服饰风貌与个性解放......